South Dakota native Joe Riis is a full-time wildlife photojournalist dedicated to working on endangered species and ecosystems. Born in 1984, he was raised on the Great Plains along the breaks of the Missouri River in Pierre, South Dakota. A National Geographic Young Explorer armed with degrees in Wildlife Biology and Environment & Natural Resources from the University of Wyoming, Joe connects sound science with nature photography. Joe is widely recognized for his photographic work on the Missouri River and on the Pronghorn migration in Grand Teton National Park.
He has published work in many local and national publications and has had solo-exhibitions showcased throughout the U.S. including the U.S. Dept of Interior Museum in Washington D.C. He photographs entirely in the wild, not in captive situations or "game farms," his photographs are also presented in their true form without any computer manipulation. Joe is always searching for a good story, and uses both photos and words to captivate his audience.
We caught up with Joe before he left for Great Bear and asked him a few questions...
Why do you personally care about the Great Bear Rainforest? And have you ever been before?
I care about this place because I care about wild places and wild animals — it's that simple. I also like to eat wild salmon, which needs no further explanation. Wild salmon and crude oil do not coexist.
Yes, I have been to the Great Bear Rainforest. I was here in August of 2009 on a film assignment, and was based in the fishing village of Klemtu. I was setting up remote video cameras for a British film production that focused on spirit bears. I've been dreaming about coming back here to Great Bear for the past year, and am super stoked to set up my camera traps to capture bears and wolves.
How far did you travel to come and shed light on this important issue? What is your assignment on the RAVE?
Not very far, I've spent the past month in northern British Columbia working on the Sacred Headwaters RAVE, photographing stone sheep, moose, and mountain caribou, which was totally awesome. I was based at the headwaters of the Skeena, Stikine and Nass rivers for the entire month of August. And now I am on the coast where all three rivers flow into the ocean. Journeying from source to sea and capturing all of the life along the way throughout the past month has been so so magical.
What do you think the power behind a RAVE is?
It's all about the power of the people. The power starts with the local conservation group, then when we add the team of photographers, everything shifts to empowering the general public to protect this place. We (the photographers) are showing them what they have and trying to help them (the public) visualize the incredible landscape and life they live with, and inevitably have the power to protect.
Why is conservation photography such an essential element to the conservation movement as a whole, and this project in particular?
People need to see the changes that are happening to this planet, bottom line, and they need to be inspired and connected. That is conservation photography.Watch the EP's film Flathead Wild, and learn more about the power of a RAVE as Joe takes you through the wild Flathead Valley in search of grizzlies, mountain goats and mountain lions...